|

|
|
Born
in 1943, a native of Jiangjin County, Sichuan Province, he is member of
Chinese Artist’ Association. Upon his graduation from Sichuan Institute
of Arts in 1963, he has engaged long years in art creation activities of
oil painting. His works of painting many times took part in Sichuan and
national art exhibitions.
The
oil paintings “Country Fair” and “Mother and Son Cows” were shown
respectively at China First Oil Painting Exhibition in 1987 and at China
First Oil Painting Annual Exhibition in 1992. In 1993, “Crushed Stone
Worker” was awarded an excellent work prize at ’93 Boya Oil Painting
Contest, which was held jointly by Shenzhen·Hong
Kong Boya Art Company. In 1995, “At the Harvest” was shown at China
Landscape Oil Painting Exhibition in Beijing, and won the second prize.
“Village in East Sichuan” and “Ferryboat” were carried one after
another in the Journal of Fine Arts. His other works of oil painting such
as “Recollections of the Lantern Festival”, “Hillock under the
Setting Sun”, “After Rain”, “Farmer in Mountains of East
Sichuan” and “Fields”, etc. were carried respectively in China
Culture, Guangming Daily, Chinese Film Weekly, Art Gallery and other
newspapers and magazines.
At
the invitation of the Chinese Museum in 1990, he held “The Local Flavor
Oil Painting Exhibition of Li Fangling” in Beijing, with over 50 works
on display. The exhibition received favorable comments. The news mediums
including Xinhua News Agency, People’s Daily (overseas edition), China
Culture, Guangming Daily and Chinese Film Weekly, all made reviews to his
oil paintings, in which his works were considered to be “simple and
cordial”, and “to have formed his own unique painting style being full
of peace, tranquillity, unconventionality and nature”, and “to give
off a breath of soil”. China Central TV and Beijing TV also reported the
event with sound appraise.
His four works such as
“First Ploughing” and “Path Going out of the Mountains” were on
display in Singapore in 1991. “Small Town on Slabstone Beach” and
“Path at the Hill Foot” were in the collection of China National
Museum, and many other works were collected by collectors from overseas. |
|